Throw Your Bread
Alice Rivaz
Translation by Regina López Muñoz. Errata Naturae, 2026. 264 pages. 23.50 euros
The Swiss writer offers a superb exercise in introspective literature: a woman mentally navigates the failure of her relationships, the loss of youth, and the frustration of her artistic impulses.
Read more Vox and the regression to the past
> Read Marta Sanz’s review here
Mr. Owl and the Land of the Dead
David B.
Translation by Julia C. Gómez. Salamandra Graphic, 2026. 264 pages. 27.96 euros
David B. turns Mr. Owl into a Virgil who accompanies a young woman afraid of her shadow on her descent to the afterlife.
> Read Álvaro Pons and Noelia Ibarra’s review here
The Blind Army
David Toscana
Alfaguara, 2026. 229 pages, 19.19 euros
Mexican writer David Toscana, winner of the most recent Alfaguara Novel Prize, weaves a powerful story from the threads of an 11th-century anecdote that he transforms into a symbolic reading.
> Read Julio Núñez’s review here
The Separation
Martín Kohan
Anagrama, 2026. 232 pages. 18.90 euros
In this novel, the intention to reproduce the “death” energy always generated by a separation is notable, but also the “life” energy.
Read more Montserrat Torrent, organist at 100 years old: “When I reach paradise I will kneel before Bach”
> Read Andrés Barba’s review here
I Suffer, Therefore I Exist
Pascal Bruckner
Translation by María Belmonte Berrenechea. Siruela, 2026. 272 pages, 21.95 euros
Pascal Bruckner argues that the victim is the hero of our time. The philosopher approaches it from all possible angles until reaching the present, where he detects a rise in victimhood exemplified in autofiction.
> Read Juan Carlos Galindo’s review here
Marquise. The Greatest Art Theft in the History of Spain
Peio H. Riaño
Antonio Machado Libros, 2026. 278 pages. 18.90 euros
The author reconstructs how an impostor appropriated hundreds of artworks seized after the Civil War with just a fake business card.
Read more Spain steps on the accelerator of solidarity in the face of a world that puts the brakes on it
> Read Vicente G. Olaya’s review here
