Theatrical Review

The author delves into the past with all its complexity in one of his best works as a director of his plays

The author, director, and performer from Madrid Carolina África moves the audience with an accurate diagnosis of the shortcomings of public healthcare, delivered with a sense of humor and wrapped in a naturalism at times equivalent to that used by Romeo Castellucci in ‘Sul concetto di volto nel figlio di Dio’

The critics of ‘Babelia’ review the latest productions by Juan Mayorga, Carolina África, Albert Arribas based on a text by Lluïsa Cunillé, and an XXL choreography by Alberto Velasco

Anna Serrano directs the production based on the work of the British Ella Hickson, a questioning of theatrical language itself that already arrives late to us

The critics of ‘Babelia’ review the new work by Nao Albet and Marcel Borràs, the adaptation of a novel by Delphine de Vigan, a production of August Strindberg, and the latest show by Rafaela Carrasco

Iván López-Ortega, young actor, director, set designer, and musician, establishes a playful and sparkling but perhaps unfinished dialogue with one of the chamber dramas of the Swedish author

The actress nails the protagonist of Delphine de Vigan’s bestselling novel in a theatrical adaptation that rushes towards sentimentality

Nao Albet and Marcel Borràs offer what is by far their biggest, craziest, and most ambitious production